Date Thesis Awarded

4-2019

Access Type

Honors Thesis -- Access Restricted On-Campus Only

Degree Name

Bachelors of Arts (BA)

Department

English

Advisor

Varun Begley

Committee Members

Richard Lowry

Melanie Dawson

Charles Palermo

Abstract

This thesis examines the absurd aesthetic present in William Faulkner’s Requiem for a Nun (1951), in order to both re-open an otherwise disregarded text for more fruitful interpretations, as well as consider what constitutes a “successful” or “failed” text. By applying Albert Camus’s theories of the absurd developed in The Myth of Sisyphus (1942) and The Rebel (1951), a sense of logic or intention is revealed in Requiem for a Nun’s abrasive structural disjointedness and narrative incoherence. This absurd logic presents a subversion of the standards of successful narratives, as the text appears to self-reflectively meditate on the ability of a narrative to truly achieve significance.

Creative Commons License

Creative Commons License
This work is licensed under a Creative Commons Attribution 4.0 License.

Comments

Please italicize Requiem for a Nun in the title.

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