Submissions from 2019
Historical Art, Ecology, and Implication, Alan C. Braddock
Submissions from 2018
Farago’s Global Art History, Charles J. Palermo
Submissions from 2017
Review of Philippe Geinoz, Relations au travail: Dialogue entre poésie et peinture à l’époque du cubisme: Apollinaire-Picasso-Braque-Gris-Reverdy, Charles J. Palermo
Review of Rachael Z. DeLue. Arthur Dove: Always Connect. Chicago: University of Chicago Press, 2016. 311 pp., Charles J. Palermo
Submissions from 2016
Action and Standing a Round, Charles J. Palermo
Materials, Models, and the Market for Paintings in Early Colonial Quito, 1550-1650, Susan V. Webster
The Architects of Ottoman Constantinople: the Balyan Family and the History of Ottoman Architecture, Sibel Zandi-Sayek
Submissions from 2015
Rembrandt’s Etched Angels: Traces of the Divine, Catherine Levesque
"Introduction" & "Modernisms and Authority", Charles J. Palermo
Submissions from 2014
André Masson: Into the ‘Humus Humaine', Charles J. Palermo
Literary Criticism, Charles J. Palermo
Questions for Adams, Charles J. Palermo
Submissions from 2013
Miró’s Politics, Charles J. Palermo
Submissions from 2012
Nature Discerned: Providence and Perspective in Gilles van Coninxloo’s Sylva, Catherine Levesque
Truth in Painting—Comedic Resolution in Bruegel’s Landscape with the Magpie on the Gallows, Catherine Levesque
Submissions from 2011
False Gods: Authority and Picasso’s Early Work, Charles J. Palermo
Responses to Davis, “Neurovisuality”, Charles J. Palermo
Submissions from 2008
Introduction to "Fixed Ecstasy: Joan Miro in the 1920s", Charles J. Palermo
Review of "Picasso, Braque and Early Film in Cubism", Charles J. Palermo
Submissions from 2001
Tactile Translucence: Miró, Leiris, Einstein, Charles J. Palermo
