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Submissions from 2018

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More Neoliberal Art History, Todd Cronan and Charles J. Palermo

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Even More Neoliberal Art History: Globalizing Art History, Charles J. Palermo

Submissions from 2017

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Review of Philippe Geinoz, Relations au travail: Dialogue entre poésie et peinture à l’époque du cubisme. Apollinaire-Picasso-Braque-Gris-Reverdy., Charles J. Palermo

Submissions from 2016

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Action and Standing A Round, Charles J. Palermo

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Action and Standing a Round, Charles J. Palermo

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Review of Rachael Z. DeLue, Arthur Dove: Always Connect, Charles J. Palermo

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Materials, Models, and the Market for Paintings in Early Colonial Quito, 1550-1650, Susan V. Webster

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The Architects of Ottoman Constantinople: the Balyan Family and the History of Ottoman Architecture, Sibel Zandi-Sayek

Submissions from 2014

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André Masson: Into the ‘Humus Humaine, Charles J. Palermo

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Automatism: Response to Diarmuid Costello, Charles J. Palermo

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Literary Criticism, Charles J. Palermo

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Questions for Adams, Charles J. Palermo

Submissions from 2013

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Miró’s Politics, Charles J. Palermo

Submissions from 2011

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False Gods: Authority and Picasso's Early Work, Charles J. Palermo

Project for Wholeness, Charles J. Palermo

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Responses to Davis, "Neurovisuality", Charles J. Palermo

Submissions from 2008

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Review of Picasso, Braque and Early Film in Cubism, Charles J. Palermo

Submissions from 2001

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Tactile Translucence: Miró, Leiris, Einstein, Charles J. Palermo