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Creating Time: Rhythmic Processes and Metrical Forming in Schoenberg's Opus 22, "Vier Orchesterlieder"

Lucas, Olivia
Abstract
This paper explores issues of temporality and rhythmic intuition in Schoenberg's Op. 22 (4 Orchestral Songs), using Christopher Hasty's "Meter as Rhythm" as a framework.
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Thesis is part of Honors ETD pilot project, 2008-2013. Migrated from Dspace in 2016.
Date
2008-04-28
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Undergraduate Honors Theses
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LucasOlivia2008.pdf
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Advisor
Hulse, Brian Clarence
Leventhal, Robert S.
Armstrong, James
Bartlett, Jamie
Department
Music
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https://scholarworks.wm.edu/handle/internal/12526
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