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Submissions from 2019

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Bartered Bodies: Medieval Pilgrims and the Tissue of Faith, George Greenia

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The Republic of Poetry: Un Taller de Poesía, Silvia Tandeciarz

Submissions from 2018

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The Prehistory of the Hollywood Eastern genre, John Eisele

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The Lakota Future Generation Ride of the Lakota Sioux, George Greenia

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What is Pilgrimage?, George Greenia

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The Unknown New Wave: Soviet Cinema of the Sixties, Alexander V. Prokhorov

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Sight, Language, Time: To be Surrounded by the World, Monica Seger

Submissions from 2017

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Collecting Ghostly Things: André Breton and Joseph Cornell, Katharine Conley

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Faith and Footpaths: Pilgrimage in Medieval Iberia, George Greenia

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Foreword, George Greenia

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Pilgrimage and the Economy of Salvation, George Greenia

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Pilgrims as readers & writers: some reflections, George Greenia

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Travelers’ Texts: Pilgrims and Their Textual Accessories, George Greenia

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Toxic Tales: On Representing Environmental Crisis in Puglia, Monica Seger

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Citizens of Memory: Affect, Representation, and Human Rights in Postdictatorship Argentina, Silvia Tandeciarz

Submissions from 2016

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Special issue: Brazilian Fashion, Rita M. Andrade and Regina A. Root

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Photographic Automatism: Surrealism and Feminist (Post?) Modernism in Susan Hiller's Sisters of Menon, Katharine Conley

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The Surrealist Collection: Ghosts in the Laboratory, Katharine Conley

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Learning to Cherish the Dumb Question, George Greenia

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Learning to Walk, George Greenia

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Santiago de Compostela, George Greenia

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Digital Cocoons and the Raw Abroad, George Greenia and Jacob H. Rooksby

Submissions from 2015

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Value and Hidden Cost in André Breton’s Surrealist Collection, Katharine Conley

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Walking in Ameno, Monica Seger

Submissions from 2014

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Pilgrimage and the American Myth, George Greenia

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Arboreal and Historical Perspectives from Calvino's Il barone rampante, Giulia Pacini

Submissions from 2013

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Carrington's Kitchen, Katharine Conley

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Cinema of the Thaw (1953 – 1967), Alexander V. Prokhorov

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Lenin’s Guard. Zastava Il’icha, Alexander V. Prokhorov

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Reconfiguring the War and Family Tropes in Thaw-Era Homefront Melodrama, Alexander V. Prokhorov

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The Diamond Arm. Brilliantovaia ruka, Alexander V. Prokhorov

Submissions from 2012

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“What Makes a Collection Surrealist: Twentieth-Century Cabinets of Curiosities in Paris and Houston.”, Katharine Conley

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Secrets, Trauma, and the Memory Market (or the return of the repressed in recent Argentine post-dictatorship cultural production)., Silvia Tandeciarz

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Dance and the Nation: Performance, Ritual, and Politics in Sri Lanka, Emily E. Wilcox

Submissions from 2011

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The Lost Privilegio de Alcalá de Henares de 1295, George Greenia

Environmental Concerns in Bernardin de Saint Pierre's Paul et Virginie, Giulia Pacini

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Passing the Remote: Community and Television Viewing in Woobinda and La guerra degli Antò, Monica Seger

Submissions from 2010

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Is Reconciliation Possible? Non-Western Objects at the Menil Collection and the Quai Branly Museum, Katharine Conley

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Grafts at Work in Late Eighteenth-Century French Discourse and Practice, Giulia Pacini

Submissions from 2009

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Down for the Count: The Limits of Numerology, George Greenia

Submissions from 2008

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Introduction, George Greenia

Submissions from 2007

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The Tragicomedia as a Canonical Work, George Greenia

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From Family Reintegration to Carnivalistic Degradation: Dismantling Soviet Communal Myths in Russian Cinema of the Mid-1990s, Alexander V. Prokhorov

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Inherited Discourse: Stalinist Paradigms in Thaw Literature and Cinema, Alexander V. Prokhorov

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Revisioning Aleksandrov’s Circus: Seventy Years of the Great Family, Alexander V. Prokhorov

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Citizens of Memory: Refiguring the Past in Post-Dictatorship Argentina, Silvia Tandeciarz

Submissions from 2006

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Size Matters: The Ideological Functions of the Length of Soviet Feature Films and Television Mini-Series in the 1950s and 1960s, Alexander V. Prokhorov

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Mnemonic Hauntings: Photography as Art of the Missing, Silvia Tandeciarz

Submissions from 2005

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Moving into the Third Dimension: Nicole Brossard’s Picture Theory, Katharine Conley

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The Bigger the Book: On Oversize Medieval Manuscripts, George Greenia

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A Person is Born: Stalinist Myth of the Great Family in Film Genres of the Thaw, Alexander V. Prokhorov

Submissions from 2003

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Books and Bookmaking, George Greenia

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The Moralized Bible in Spain, George Greenia

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R. Merritt Cox (1939-1987), Pioneer of John Bowle Studies, George Greenia and Daniel Eisenberg

Submissions from 2001

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Writing for Distinction? A Reading of Cortázar’s Final Short Story, Diario para un cuento, Silvia Tandeciarz

Submissions from 2000

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Some Notes on Racial Trauma in Peter Weir’s Fearless, Silvia Tandeciarz

Submissions from 1997

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University Book Production and Courtly Patronage in Thirteenth-century France and Spain, George Greenia

Submissions from 1992

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Why Johnny Can’t Escribir: Composition and the Foreign Language Curriculum, George Greenia