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Home > Arts and Sciences > Theatre, Speech & Dance > Theatre, Speech & Dance Faculty Work

Theatre, Speech & Dance Faculty Work

 

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Submissions from 2021 2021

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“Ògún Yè Mo Yè!” Pathways for institutionalizing Black Theater pedagogy and production at historically white universities, Artisia Green

Submissions from 2020 2020

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Aesthetics of Oya in Reading, Casting, and Staging Lillian Hellman’s The Children’s Hour, Artisia Green

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When Folk Dance Was Radical: Cold War Yangge, World Youth Festivals, and Overseas Chinese Leftist Culture in the 1950s and 1960s, Emily E. Wilcox

Submissions from 2018 2018

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Introduction to "Revolutionary Bodies: Chinese Dance and the Socialist Legacy", Emily E. Wilcox

Submissions from 2017 2017

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“The blood remember don’t it?”: The Ethnocultural Dramatic Structure of Katori Hall’s The Blood Quilt, Artisia Green

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Women Dancing Otherwise: The Queer Feminism of Gu Jiani’s Right & Left, Emily E. Wilcox

Submissions from 2015 2015

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Regina Taylor's Crowns: The Overflow of "Memories Cupped under the Brim", Artisia Green

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Rulan Chao Pian 卞赵如兰 (1922–2013), Emily E. Wilcox

Submissions from 2014 2014

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Meaning in Movement: Adaptation and the Xiqu Body in Intercultural Chinese Theatre, Emily E. Wilcox

Submissions from 2012 2012

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Han-Tang Zhongguo Gudianwu and the Problem of Chineseness in Contemporary Chinese Dance: Sixty Years of Controversy, Emily E. Wilcox

 
 
 

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