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Publication Date

9-22-2022

DOI

ttps://doi.org/10.25774/aq3x-6m04

First Page

1

Last Page

18

Abstract

This phenomenological qualitative study explored the gender performativity of protest masculinity in a multi-institutional study of white male-identified fraternity men. The participants expressed sentiments of dispossession, postracial attitudes, and performed cultural appropriation. Participants appropriated Black culture because they considered this synonymous with their own lack of power and privilege, which they believe has been dispossessed. Implications are provided to suggest how campus-based professionals can further disrupt the (un) conscious habits of whiteness in fraternity men and forms of white supremacy through collaborative programming and campus-wide efforts.

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