Arts & Sciences Books

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  Cyber Threats and NATO 2030: Horizon Scanning and Analysis

  A. Ertan, Kathryn H. Floyd, P. Pernik, and T. Stevens

  "The book includes 13 chapters that look ahead to how NATO can best address the cyber threats, as well as opportunities and challenges from emerging and disruptive technologies in the cyber domain over the next decade.

  The present volume addresses these conceptual and practical requirements and contributes constructively to the NATO 2030 discussions. The book is arranged in five short parts...All the chapters in this book have undergone double-blind peer review by at least two external experts.

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  Building on the Legacy: African Americans at William & Mary: An Illustrated History of 50 Years and Beyond

  Jacquelyn Y. McLendon

  From its beginning, the success or failure of William & Mary relied on the labor of black people who worked tobacco fields in Virginia and Maryland. The history of African Americans at William & Mary is a rich, albeit complicated, history involving as it does the diverse cultures, personalities, attitudes, beliefs, and opinions that make up a heterogeneous group as a whole. It is integral to the traditional history of William & Mary, and building on the legacy of several scholars who have documented parts of the history of African Americans at William & Mary, I seek to fill in the gaps by providing a more comprehensive account of some of the challenges African Americans have faced but especially the contributions we have made and continue to make to this university. Using archival records, relevant scholarship, individual interviews, and personal experiences, I have pulled together the stories, and sometimes counter-stories, that help to portray a thorough representation of the roles African Americans have played in the development and growth of this institution. To a lesser degree, I address some of the issues and debates that continue to concern blacks in higher education at predominantly white institutions (PWIs) generally and William & Mary specifically.

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  Building the Brafferton: The Founding, Funding and Legacy of America’s Indian School

  Danielle Moretti-Langholtz and Buck Woodard

  Excerpt from the publication: "Cloaked in the academic regalia of the early history of the College of William & Mary, the story of the founding of Virginia’s Indian school is replete with ecclesiastical and political intrigue as well as financial opacity. Embedded within the seventeenth and eighteenth-century trans-Atlantic colonial encounter, the 1723 Brafferton Indian School building is an artifact with a pedigree worthy of heritage status. However, its origins remain murky; its history is buried in the faded and fragmentary ledger books, legislative acts and church correspondence of the era. One of three structures on William & Mary’s historic campus, the Brafferton is part of a built environment that remains a strong visual symbol of imperial England’s former hegemony in North America and Williamsburg’s continued affirmation of its positionality within this colonial history..."

  Contributers: Danielle Moretti-Langholtz, Buck Woodard, Aaron H. De Groft, W. Taylor Reveley III, Ashley Atkins Spivey, Edward Chappell, Audrey Horning, Susan Kern, Mark Kostro, Alexandra Martin, Stephanie Pratt, Dylan Ruediger, Sydney Stewart, Michaela Wright

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  Introduction to "Revolutionary Bodies: Chinese Dance and the Socialist Legacy"

  Emily E. Wilcox

  Revolutionary Bodies is the first English-language primary source–based history of concert dance in the People’s Republic of China. Combining over a decade of ethnographic and archival research, Emily Wilcox analyzes major dance works by Chinese choreographers staged over an eighty-year period from 1935 to 2015. Using previously unexamined film footage, photographic documentation, performance programs, and other historical and contemporary sources, Wilcox challenges the commonly accepted view that Soviet-inspired revolutionary ballets are the primary legacy of the socialist era in China’s dance field. The digital edition of this title includes nineteen embedded videos of selected dance works discussed by the author.

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  Historical Overview of Africans and African Americans in Yorktown, at the Moore House, and on Battlefield Property, 1635-1867 Colonial National Historical Park (Vol. 1)

  Julie Richter and Jody L. Allen

  The following report focuses on the lives and experiences of Africans and African Americans who lived and worked in Yorktown, at the Moore House, and on Battlefield Property between 1635 and 1867. The goal of this study is to highlight the role that Africans and African Americans played in Yorktown and the surrounding rural area. A wide variety of primary documents contain details about the enslaved men, women, and children who labored in the homes of Yorktown's elite residents, worked in the shops of the town's skilled artisans, and tended fields on nearby plantations. In addition, Yorktown was home to free people of color who worked to support their families and to maintain their freedom. Details about the black residents - enslaved and free - of Yorktown, the Moore House, and portions of the Battlefield is essential information that will be included in future exhibits at the Colonial National Historical Park, waysides located throughout the park, and in interpretive programming offered to visitors to Yorktown. Knowledge about the variety of experiences of the Africans and African Americans in near Yorktown ill help the staff of the Colonial National Historical Park to enhance the experience of their visitors and to add complexity to the information that they provide about the history of Yorktown and its peoples.

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  Historical Overview of Africans and African Americans in Yorktown, at the Moore House, and on Battlefield Property, 1635-1867 Colonial National Historical Park (Vol. 2)

  Julie Richter and Jody L. Allen

  The situation for African Americans in Yorktown did not improve much during the antebellum period. The possibility of being willed, sold, or mortgaged by a slaveholder remained. William Vail is one example. Vail had over thirty slaves and mongaged some or all of them at some point. When Vail died in 1834, he owned several lots in Yorktown but gave permission in his will to sell Ambrose, Caesar, Lucy, Bob, and Tom Bailey, if necessary to pay his debts. He left his wife, Louisa, William, Alfred, Molly, Carlia, Charlotte, Alice and her three children, as well as his "man Tom," his "old woman Sue," and the future increase of the female slaves.20 The fate of Vail's slaves is not clear. Again, control of the black population, whether enslaved or free, remained the goal for whites. Free blacks were required to register their presence at the county courthouse. From a twenty first century perspective, this law appears intrusive, but in the nineteenth century, it was also a way for free blacks to protect themselves if their status ever came into question. York County's registry of free blacks provides an interesting picture of blacks in this period. The registry provided names, physical descriptions, the name of the person who freed the individual, unless born free, and often the surname of the former slave.

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  The Skeletal Biology of the New York African Burial Ground (Pt. 1)

  Michael L. Blakey and Lesley M. Rankin-Hill

  The New York African Burial Ground was “rediscovered” in 1989 in the process of preparation for the construction of a proposed 34-story federal office building by the U.S. General Services Administration (GSA) at 290 Broadway in New York City (Ingle et al. 1990). The site for the proposed building was once part of the African Burial Ground that extended “from Chambers Street on the south to Duane Street on the north and from Centre Street on the east to Broadway on the west” (Yamin 2000:vii). A fullscale archaeological excavation was conducted by Historic Conservation and Interpretation (HCI) and John Milner Associates, Inc. (JMA), preceding the building project, as required under Section 106 of the National Historic Preservation Act of 1966 (NHPA) (as amended) in order to mitigate the destruction of potential cultural resources (Figure 1). The excavation and construction site on the African Burial Ground is located at Foley Square, in the city block bounded by Broadway, Duane, Reade, and Elk Streets in Lower Manhattan, one block north of City Hall.

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  The Skeletal Biology of the New York African Burial Ground (Pt. 2): Burial Descriptions and Appendices

  Michael L. Blakey and Lesley M. Rankin-Hill

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  Historical Perspectives of the African Burial Ground New York Blacks and the Diaspora

  Edna G. Medford

  The unearthing of the colonial cemetery known historically as the “Negroes Burying Ground” in Lower Manhattan in 1991 has given both scholars and the general public the opportunity to study and comprehend the broad dimensions of the African American experience. The African Burial Ground and the human remains contained within it provide a unique vantage point from which to view New York City’s Africans and their descendants over two centuries. As the final resting place for thousands of enslaved and free black people who lived and labored in the city from roughly 1627 until the end of the eighteenth century, the cemetery offers insight into physical stressors, ethnic identity, cultural continuities, and assimilation. Each burial in and of itself tells an individual story. When considered collectively, however, in combination with archival evidence, these burials enable us to reconstruct a forgotten community and reveal the centrality of a marginalized people.

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  The Archaeology of the New York African Burial Ground (Pt. 1)

  Warren R. Perry, Jean Howson, and Barbara A. Bianco

  This volume is one of three disciplinary volumes on the New York African Burial Ground Project. One volume focuses on the skeletal biological analysis of the remains recovered from the site (see Volume 1 of this series, Skeletal Biology of the New York African Burial Ground [Blakey and Rankin-Hill 2009a]). Another focuses on the documentary history, from a diasporic perspective, of Africans who lived and died in early New York (see Volume 3 of this series, Historical Perspectives of the African Burial Ground: New York Blacks and the Diaspora [Medford 2009]). The present volume, consisting of three parts, presents the archaeological research on the New York African Burial Ground. General background on the New York African Burial Ground project is presented in the beginning of the skeletal biology component volume (Blakey and Rankin-Hill 2009a). Here we provide background information that is specifically relevant to the excavated site, the archaeological fieldwork undertaken in 1991–1992 (its planning, personnel, extent, duration, termination, etc.), and the analysis and disposition of nonskeletal material from the excavation.

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  The Archaeology of the New York African Burial Ground (Pt. 2): Descriptions of Burials

  Warren R. Perry, Jean Howson, and Barbara A. Bianco

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  The Archaeology of the New York African Burial Ground (Pt. 3): Appendices

  Warren R. Perry, Jean Howson, and Barbara A. Bianco