Theses/Dissertations from 1992
An Edition of Ellen Glasgow's "Between Two Shores", Lucia Wallis Smith
The Reader's Reflection in Swift's "A Voyage to Laputa", Jaime A. Trapp
Corporate Chivalry in Malory's "Morte d'Arthur": Chivalric Guidebooks and a Fifteenth-Century Chivalric Ideal, Timothy Carlton Truxell
The Boethian Influence on the "Alliterative Morte d'Arthure", Suzann Wanda Voigt
Addie Bundren and Her Linguistic Dilemma, Amy Zakrzewski Watson
Subversion of the Material World in Oscar Wilde's Fairy Tales, Weston Sue
Theses/Dissertations from 1991
Gaheriet to Gareth: Gareth and Unity in Malory's "Le Morte d'Arthur", Linda Stearns Beaulieu
Springing from the Same Root: Religion and Art in the Fiction of Willa Cather, Christopher Richards Carter
Constructing a Reputation in Retrospect in "Sir Gawain and the Green Knight", Elizabeth Anne Crummy
Teh Hell or Teh Work': The Woman Adrift and Morality for Three Turn-of-The-Century American Authors, Elizabeth Cowen Hawes
Finding a Sense of Ease in the Creation: Or, Pynchon's Disinformational Map to the Stars, Gregory Lee Kenyon
Joyce's Nets as Semiotic Systems, Marguerite Carey Laws
A Proud Crow in a Pigeon's Nest: The Independent Zora Neale Hurston in "Mules and Men", Olivia T. Lo
Freedom and Association in the Poetry of Robert Frost, Adrian Marcus Thirkell
Broken Branches: The Search for Ancestry in Toni Morrison's Novels "Song of Solomon" and "Beloved", Joan Potter Thomas
"Tess of the d'Urbervilles": A Pure Woman Faithfully Defended, Margaret Mary Young
Theses/Dissertations from 1990
"I am going to have to Hear It All Over Again": The Entrapment of Quentin Compson, Nigel James Alderman
Progress of the Regiment: A Framework for Understanding Stephen Crane's "The Red Badge of Courage", Timothy John Brotherton
Situational Ethics in Wilkie Collins' "Woman in White" and "Moonstone", Flora Christina Buckalew
"The House of Life" and "In Memoriam": The Relationship of Death to Love and Art, Cathleen Marie Calvano
Christina Rossetti: A Feminist Visionary, Cindy K. Currence
From Song to Silence: The Coding of Music in Kate Chopin's "The Awakening", Melanie Dawson
The Role of Alter Egos Within "David Copperfield", Stephanie Alane Eskins
"Song of Myself" and the Divided Subject, Valerie Philbrick Gill
Make it According to Cezanne: The Influence of Cezanne on the Development of Hemingway's Sty, Randal Carson Hamilton
Reading as a Woman: Reynolds Price and Creative androgyny in "Kate Vaiden" and "Good Hearts", Edith T. Hartin
"My Lords and Gentlemen and Honourable Boards": Narrative and Social Criticism in "Our Mutual Friend", Gregory Eric Huteson
The Shaping of Consciousness: Conventional Adventure Language and Gothic Imagery in James' "Daisy Miller" and "The Portrait of a Lady", andrea Mary LaFreniere
Narrative Theory and James Joyce's "Finnegan's Wake": Voice and Self-Narration in "Night Lessons", Daniel Quentin Miller
Subtle Subversion: Gaskell's use of Scripture in Her Social Purpose Novels, Jennifer P. Morey
Steinbeck the Writer-Knight, William Scott Simkins
Representation and Resistance: A Feminist Critique of Jean Toomer's "Cane", Elaine Margaret Sisson
"What They have Instead of God": The Relationship between Jake Barnes and Brett Ashley in Hemingway's "The Sun Also Rises", Stephanie Eileen Wardrop
Theses/Dissertations from 1989
Augustus Carmichael: A Metaphor of the Artist, Mary Beverly Adams
Blindness and Vision in "Middlemarch", Sarah Ellen Arnold
Calvinism Revisited: Predestination and Sterility in William Styron's "Sophie's Choice", Reba Carol Dismukes
"Song of the Husbandman": A Critical Edition, Patricia Louise Hintz
Heraldic Symbolism and Color Imagery in William Morris's "The Defence of Guenevere and Other Poems", June Graybeal Lubowinski
Peter Taylor's Fictional Memoirs, Scott Peeples
"In a Language Not His": Reader-Response Criticism and "Light in August", Kathy Lynn Pippert
Restoring Silence: Samuel Beckett's "Molly" Viewed as a Parody of James Joyce's "Ulysses", George McIver Steele
Theses/Dissertations from 1988
The Significance of the Lot-Pellinore Feud in Malory's "Le Morte d'Arthur", Sheila Anne Core
Time's Ungentle Tide: Disillusion, Isolation and Self-Mastery in Byron and Hemingway, John C. Dashiell
Sailing the Zig-Zag Course of a Hundred Tacks: R W Emerson's "Each and All", Christopher D. Felker
Love Affairs as Power Struggles in English Court Life: John Donne's "The Apparition," "The Extasie," and "The Canonization", Gregory Scott Hanrahan
An Insight into the Poetry of A C Swinburne: Art and the Image of the Poisonous Flower, Jeanette Carol Ishee
From Romance to Reality: Faulkner's "Mayday" and "The Sound and the Fury", John Patrick Kelly
The Myth of the Questing Hero in Two Travel Books by Graham Greene and Robert Byron, Ashley Elizabeth King
Ineffable Gaudiness and Riotous Excursions: Carnival Imagery in "The Great Gatsby", Maura Kathryn Mahoney
"Come Now Ye Golden Times": Celestial Imagery in Wordsworth's "Prelude", Sheila McGrory
Male Bonding in the Plays of David Rabe, Jennifer Lynn McMillion
Naive Apocalyptic Thinking and Faith: Walker Percy's use of Endings in "Love in the Ruins", Mary Catherine Smylie
Cromwell and Augustus: Non-Partisan Historical Comparisons in andrew Marvell's "An Horatian Ode", Steven Elworthy Vanderplas
Theses/Dissertations from 1987
Modern Dramatic Tragedy and Aristotle's Poetics: A Comparison, Kimberly John Babcock
"Credences of Summer": Wallace Stevens' Concentric Search for Reality, Hilary White Holladay
The Virgin Unmask'd: Mandeville's Response to the "Fair-Sex" Debate, Annette Lee McPeters
"Twilight Is Not Good for Maidens": Vampirism and the Insemination of Evil in Christina Rossetti's "Goblin Market", David Frederick Morrill
Albert McKisco's Role in Dick Diver's "Intricate Destiny", Laura Hampton Terry
Arthur Miller: The Individual and Society, Anna Kathryn Thompson
Theses/Dissertations from 1986
From the Country to the City: Southern Identity in the Stories of Taylor and O'Connor, Catherine Anne Clark
The Quest for Meaning in "The Waste Land" and "Sanctuary": A Comparative Study, Mary Katherine Compton
The Necessary Good: The "True Ethic" of "Sister Carrie", David John Essex
Cromwell in the Garden: A Study in Balance, Wendy Sue Gilmer-Grubb
Evelina: From Ingenue to Social Success, Michael Elsey Norris
A House Divided: Brothers and the Problem of Balance in the Stories of John Cheever, David Alan Raney
Victorian Maternity and Edna Pontellier's Awakening, Shari Dean Schaffer
Evil in the Works of Jane Austen, Kathleen Clark Scharff
Temperament as Destiny: A Study of Theodore Dreiser's "Sister Carrie" and "An American Tragedy", Christine H. Seifert
Sherlock Holmes in Yoknapatawpha: Faulkner's "Knight's Gambit" and Detective Fiction, Kevin James Slattum
Theses/Dissertations from 1985
José Mariá "Agua": An Introduction and Translation, Felix E. Aguero
The Paradox between "Self-Sovereignty" and "Universal Law" in "The Octopus", Kathryn Bruzas Hauer
Contemporary Irish Fiction: Lavin and Trevor, Richard Oehling
Theses/Dissertations from 1984
The Mystery of Evil in Five Works by Graham Greene, Stephen D. Arata
Southern Ambivalence: The Relationship of Mark Twain and Joel Chandler Harris, William R. Bell
The Human Body as Metaphor in Robert Lowell's Poetry: "Lord Weary's Castle" to "For the Union Dead", Claudia Maria Bischoff
Imaginative Transference in Coleridge's Poetry, Kevin Coakley-Welch
Thoreau's Characteristic Yankee in Canada, Sharon Roberts Curry
The Incest Taboo and Lynn Riggs' Territory Folk, Vivan Baker Donaldson
"The Greatest of All Arts": Mark Twain and the Theater, Michael J. Garcia
The Novel as Vanishing Point: Fiction as Epistemology in "Little Dorrit", Jayne Elizabeth Lewis
Walt Whitman and the City Dooryard, William Sanford McCarter
Dylan Thomas, D.H Lawrence and "The Force", Mark Riffe
Weaving Fearful Vision: Malcolm Lowry's Poetry, Mark Ellis Thomas
Theses/Dissertations from 1983
The Character of Marlow, Paula James Gilley
"St Erkenwald": A study in contrasts, Davis Arthur Rice
The acting motif in "Tender is the Night": The man and the mask, John M. Thompson
The Symbolic Significance of the Houses in William Faulkner's "Light in August", Wendy Van Epps
Mark Twain's Zoo: The higher animals, Iva A. Walker
The problem of pitying Macbeth, Paul A. Wellen
Theses/Dissertations from 1982
Hymen's hazard, or The jilting of Susannah Trifle: A critical edition of St George Tucker's essay #27 "For the Old Batchellor", Alexander Spottswood Clark
Role reversal in "Barren Ground", Benjamin V. Madison
Chaos and conformity: The systematic grotesque of Flannery O'Connor, Audrey I. Miller
A whole lot of different simple people: The degeneration of Nicole Warren Diver in "Tender is the Night", Ginger Smith Preston
Mrs Dalloway's flowers: An attempt to define a symbol, Betty I. Rychen
The tragic mulatto: An attempt to read the icons of the multiple image, Conal Walsh
Theses/Dissertations from 1981
The matriarchal society in Flannery O'Connor's fiction: its characteristics, treatment, and purpose, Ann L. Barfield
Kerouac, Spengler, and the "Faustian soul", Michael D'Orso
