Honors Theses from 2023
"Looks Like Cotton Candy": Deconstructing Fascism in Post-War Japanese and Italian Horror Cinema, Nicholas Hall
Honors Theses from 2021
Mausoleum, Madison Carel
Creating a Professional TV Show Pitch, Alexis Mays
Life is Ours to Choose: Empathy and Choice-Making in Detroit: Become Human, Mary McCants
The Bermuda Dilemma, Eva-Mariam Ssekibenga
Reality, Remembrance, and Self-Expression in the Language of Meta-Cinema, Viola Sun
Screenwriting for Television: Studying Creativity in the Genre of Murder-Mystery Shows, Mia Wilson
Honors Theses from 2020
Just Right White: The Lord of the Rings Franchise and Postmodern Race and Racism, Brooke Rees
Honors Theses from 2019
Universal Love and “Ageless Ambiguity”: Political Erasure in Call Me By Your Name, Alicia Devereaux
Honors Theses from 2016
The Lives of Others: The Colonial Gaze in Albanian Film Coproductions, Michael Burrows
Irreconcilable Modes of Masculinity: The Prevalence of Contemporary Irish-American Double-Protagonist Films, Anne Riley Curran
Honors Theses from 2011
Rough Draft: A Film by Caitlin Clements, Caitlin Skelly Clements
