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Honors Theses from 2019

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Universal Love and “Ageless Ambiguity”: Political Erasure in Call Me By Your Name, Alicia Devereaux

Honors Theses from 2016

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The Lives of Others: The Colonial Gaze in Albanian Film Coproductions, Michael Burrows

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Irreconcilable Modes of Masculinity: The Prevalence of Contemporary Irish-American Double-Protagonist Films, Anne Riley Curran

Honors Theses from 2011

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Rough Draft: A Film by Caitlin Clements, Caitlin Skelly Clements