Submissions from 2020
“‘É de acordo com a música’: Descentralizando o ritmo através da análise melódica do samba no Recôncavo Baiano”, Michael Iyanaga
Submissions from 2019
Call and Response: SEM President’s Roundtable 2016, “Ethnomusicological Responses to the Contemporary Dynamics of Migrants and Refugees”, Anne K. Rasmussen, Angela Impey, Rachel B. Willson, Ozan Aksoy, and et al.
Submissions from 2018
Leitura de partitura e prática de conjunto: a formação de uma orquestra brasileira no CECULT UFRB, Michael Iyanaga and Fabrício dalla Vecchia
Submissions from 2017
Women out Loud: Hearing Knowledge and the Creation of Soundscape in Islamic Indonesia, Anne K. Rasmussen
Submissions from 2015
On Flogging the Dead Horse, Again: Historicity, Genealogy, and Objectivity in Richard Waterman's Approach to Music, Michael Iyanaga
Apresentação do Dossiê Música e Festa, Carlos Sandroni and Michael Iyanaga
Submissions from 2013
The flap-o-phone, a Site-Specific Turntable, Christopher DeLaurenti
Submissions from 2010
Setting the Scene, Anne K. Rasmussen
Submissions from 2008
A Secret History of Phonography, Christopher DeLaurenti
Submissions from 2006
Review: On Audio Culture, Christopher DeLaurenti
Submissions from 2005
On Phonography: A Response to Michael Rüsenberg, Christopher DeLaurenti
Middle Eastern Music and Dance since the Nightclub Era, Anne K. Rasmussen
Submissions from 2002
George Abdo and His Flames of Araby Orchestra: Belly Dance!, Anne K. Rasmussen
Submissions from 2001
The Qur'ân in Indonesian Daily Life: The Public Project of Musical Oratory, Anne K. Rasmussen
Submissions from 2000
The Sound of Culture, The Structure of Tradition Musicians' Work in Arab Detroit, Anne K. Rasmussen
Submissions from 1996
Theory and Practice at the 'Arabic Org': Digital Technology in Contemporary Arab Music Performance, Anne K. Rasmussen
