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Submissions from 2020

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“‘É de acordo com a música’: Descentralizando o ritmo através da análise melódica do samba no Recôncavo Baiano”, Michael Iyanaga

Submissions from 2018

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Leitura de partitura e prática de conjunto: a formação de uma orquestra brasileira no CECULT UFRB, Michael Iyanaga and Fabrício dalla Vecchia

Submissions from 2017

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Women out Loud: Hearing Knowledge and the Creation of Soundscape in Islamic Indonesia, Anne K. Rasmussen

Submissions from 2015

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On Flogging the Dead Horse, Again: Historicity, Genealogy, and Objectivity in Richard Waterman's Approach to Music, Michael Iyanaga

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Apresentação do Dossiê Música e Festa, Carlos Sandroni and Michael Iyanaga

Submissions from 2013

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The flap-o-phone, a Site-Specific Turntable, Christopher DeLaurenti

Submissions from 2010

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Setting the Scene, Anne K. Rasmussen

Submissions from 2008

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A Secret History of Phonography, Christopher DeLaurenti

Submissions from 2006

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Review: On Audio Culture, Christopher DeLaurenti

Submissions from 2005

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On Phonography: A Response to Michael Rüsenberg, Christopher DeLaurenti

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Middle Eastern Music and Dance since the Nightclub Era, Anne K. Rasmussen

Submissions from 2002

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George Abdo and His Flames of Araby Orchestra: Belly Dance!, Anne K. Rasmussen

Submissions from 2001

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The Qur'ân in Indonesian Daily Life: The Public Project of Musical Oratory, Anne K. Rasmussen

Submissions from 2000

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The Sound of Culture, The Structure of Tradition Musicians' Work in Arab Detroit, Anne K. Rasmussen

Submissions from 1996

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Theory and Practice at the 'Arabic Org': Digital Technology in Contemporary Arab Music Performance, Anne K. Rasmussen