Submissions from 2021
“Ògún Yè Mo Yè!” Pathways for institutionalizing Black Theater pedagogy and production at historically white universities, Artisia Green
Submissions from 2020
Aesthetics of Oya in Reading, Casting, and Staging Lillian Hellman’s The Children’s Hour, Artisia Green
When Folk Dance Was Radical: Cold War Yangge, World Youth Festivals, and Overseas Chinese Leftist Culture in the 1950s and 1960s, Emily E. Wilcox
Submissions from 2018
Introduction to "Revolutionary Bodies: Chinese Dance and the Socialist Legacy", Emily E. Wilcox
Submissions from 2017
“The blood remember don’t it?”: The Ethnocultural Dramatic Structure of Katori Hall’s The Blood Quilt, Artisia Green
Women Dancing Otherwise: The Queer Feminism of Gu Jiani’s Right & Left, Emily E. Wilcox
Submissions from 2015
Regina Taylor's Crowns: The Overflow of "Memories Cupped under the Brim", Artisia Green
Rulan Chao Pian 卞赵如兰 (1922–2013), Emily E. Wilcox
Submissions from 2014
Meaning in Movement: Adaptation and the Xiqu Body in Intercultural Chinese Theatre, Emily E. Wilcox
Submissions from 2012
Han-Tang Zhongguo Gudianwu and the Problem of Chineseness in Contemporary Chinese Dance: Sixty Years of Controversy, Emily E. Wilcox
