Date Thesis Awarded
6-2013
Access Type
Honors Thesis -- Access Restricted On-Campus Only
Degree Name
Bachelors of Arts (BA)
Department
Theatre, Speech & Dance
Advisor
Laurie J. Wolf
Committee Members
Varun Begley
Joan Gavaler
Richard H. Palmer
Abstract
Masked performance offers many unique opportunities and possibilities to actors, and can also help guide audience reaction to theatrical content. The central question of this research is how the application of masked performance to a piece of theatre that is not generally performed in mask will affect the audience perception of identity in performance, and how it helps actors engage with a challenging text. Attempts on Her Life by Martin Crimp is an unconventional play; it does not specify the number of actors needed for the production, the division of lines, or how many characters there are. Further the 17 scenes which compose the show are seemingly disjointed, held together only by the recurrence of a woman named Anne. The research has focused on analysis of the text and historical context surrounding the play and playwright to justify and highlight the ways in which the masked performance is a choice that complements the piece. The choice to utilize masks, as well as the other directorial choices that necessitates, are then justified via an analysis of the text through multiple lenses of theory. The research also includes an account of the rehearsal and production process and concludes by analyzing audience and performer response to the production with specific regard to the effect of the masks.
Recommended Citation
Martin, Nicholas, "The Effect of Masked Performance Techniques on the Perception of Identity" (2013). Undergraduate Honors Theses. William & Mary. Paper 576.
https://scholarworks.wm.edu/honorstheses/576
Creative Commons License
This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License.
Comments
Thesis is part of Honors ETD pilot project, 2008-2013. Migrated from Dspace in 2016.