Date Thesis Awarded
4-2008
Access Type
Honors Thesis -- Access Restricted On-Campus Only
Degree Name
Bachelors of Arts (BA)
Department
Music
Advisor
Brian Clarence Hulse
Committee Members
Robert S. Leventhal
James Armstrong
Jamie Bartlett
Abstract
This paper explores issues of temporality and rhythmic intuition in Schoenberg's Op. 22 (4 Orchestral Songs), using Christopher Hasty's "Meter as Rhythm" as a framework.
Recommended Citation
Lucas, Olivia, "Creating Time: Rhythmic Processes and Metrical Forming in Schoenberg's Opus 22, "Vier Orchesterlieder"" (2008). Undergraduate Honors Theses. William & Mary. Paper 781.
https://scholarworks.wm.edu/honorstheses/781
Creative Commons License
This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License.
Comments
Thesis is part of Honors ETD pilot project, 2008-2013. Migrated from Dspace in 2016.