Date Thesis Awarded

4-2008

Document Type

Honors Thesis

Degree Name

Bachelors of Arts (BA)

Department

Music

Advisor

Brian Clarence Hulse

Committee Members

Robert S. Leventhal

James Armstrong

Jamie Bartlett

Abstract

This paper explores issues of temporality and rhythmic intuition in Schoenberg's Op. 22 (4 Orchestral Songs), using Christopher Hasty's "Meter as Rhythm" as a framework.

Creative Commons License

Creative Commons License
This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License.

Comments

Thesis is part of Honors ETD pilot project, 2008-2013. Migrated from Dspace in 2016.

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