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Fraternities and Sororities: Developing a Compelling Case for Relevance in Higher Education
James P. Barber
With over 60 collective years of serving the fraternal movement as fraternity/sorority members, chapter advisors, fraternity/sorority life advisors, and (inter)national fraternal leaders, we approached writing about the experiences of college students who participate in fraternities and sororities from an affirming and positive perspective. We believe these distinctive and intergenerational organizations can provide a forum for college students to create meaningful, well-rounded, and learning-oriented experiences. Deep and long-standing challenges continue to exist, but the juxtaposition of the best and worst actions of today's college students make fraternities and sororities among the most complex organizations on college campuses. In addition, there is a high level of interaction between and among students, the campus community, administrators, faculty, alumni, and external stakeholders such as parents and (inter)national fraternity/sorority headquarters. Such dynamic experiences can create shared and distinctive realities for students that are integral to student development. This chapter provides insight into the historical and modern-day complexities that affect students' experiences in fraternities and sororities and offers a framework for working with this population across contexts.
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The Ontogeny of Taste Perception and Preference Throughout Childhood
Catherine A. Forestell and Julie A. Mennella
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"Introduction" & "Modernisms and Authority"
Charles J. Palermo
Modernism and Authority presents a provocative new take on the early paintings of Pablo Picasso and the writings of Guillaume Apollinaire. Charles Palermo argues that references to theology and traditional Christian iconography in the works of Picasso and Apollinaire are not mere symbolic gestures; rather, they are complex responses to the symbolist art and poetry of figures important to them, including Paul Gauguin, Charles Morice, and Santiago Rusiñol. The young Picasso and his contemporaries experienced the challenges of modernity as an attempt to reflect on the lost relation to authority. For the symbolists, art held authority by revealing something compelling—something to which audiences must respond lest they lose claim to their own moral authority. Instead of the total transformation of the reader or viewer that symbolist creators envision, Picasso and Apollinaire imagine a divided self, responding only partially or ambivalently to the work of art’s call. Navigating these problems of symbolist art and poetry entails considering the nature of the work of art and of one’s response to it, the modern subject’s place in history, and the relevance of historical truth to our methodological choices in the present.
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Pilgrimage and the American Myth
George Greenia
Exploring what does and what does not constitute pilgrimage, Redefining Pilgrimage draws together a wide variety of disciplines including politics, anthropology, history, religion and sociology. Leading contributors offer a broad range of case studies from a wide geographical area, exploring new ways of approaching pilgrimage beyond the classical religious model. Re-thinking the global phenomenon of pilgrimages in the 21st century, this book offers new perspectives to redefine pilgrimage.
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André Masson: Into the ‘Humus Humaine'
Charles J. Palermo
Much of how World War I is understood today is rooted in the artistic depictions of the brutal violence and considerable destruction that marked the conflict. Nothing but the Clouds Unchanged examines how the physical and psychological devastation of the war altered the course of twentieth-century artistic Modernism. Following the lives and works of fourteen artists before, during, and after the war, this book demonstrates how the conflict and the resulting trauma actively shaped artistic production. Featured artists include Georges Braque, Carlo Carrà, Otto Dix, Max Ernst, George Grosz, Ernst Ludwig Kirchner, Oskar Kokoschka, Käthe Kollwitz, Fernand Léger, Wyndham Lewis, André Masson, László Moholy-Nagy, Paul Nash, and Oskar Schlemmer. Materials from the Getty Research Institute’s special collections―including letters, popular journals, posters, sketches, propaganda, books, and photographs―situate the works of the artists within the historical context, both personal and cultural, in which they were created.
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Literary Criticism
Charles J. Palermo
To define the domain of literary criticism would require some contentious choices and some contended definitions—about what the “literary” is and about what kinds of interventions can be included as “criticism.” The aim of this entry is not to trace the whole history of literary criticism. Nor should it be assumed that modern literary criticism is naturally or necessarily academic. The following discussion will address such matters and operate with such definitions and omissions, always mindful that doing so does not necessarily settle anything.
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The remains of several hearts
Suzanne Raitt
On 27 December 1910, Virginia Stephen ate some hearts at Saxon Sydney-Turner's house in Brighton. Her account of the visit is both intense and dismissive. For a few hours, she glimpsed the contours and colours of lives that were profoundly different from her own. And then she went home. But fourteen years later, she remembered Mrs Turner and her own younger self when she sat down to describe what it means to be a writer. In this essay I ask: when in 1924 Virginia Woolf wrote the famous words that are the seed of this volume, what memories was she reviving? Who was she in December 1910? Why did she pick December, rather than the more obvious May (when George V ascended the throne), or November, when the first Post-Impressionist exhibition opened at the Grafton Galleries. There are only a few published surviving papers from December 19 10 - no diary, just a handful of letters; but if we read those letters carefully we see the young Virginia Stephen - not yet 30 years old - staging her own exclusions f ro m life through a series of witty and poignant vignettes, and transforming herself into a writer, one of those curious people who observe the lives of others and make them their own by writing them down. Virginia Stephen in December 1910 was struggling to re-create her self, a self that had been dissolved by depression for most of the previous year, and her letters from that month show her transforming the pain of feeling left out into a triumph. It was during that month that she started to imagine what it actually meant to be a writer, crafting imaginary, evanescent worlds from which, after the first wild moment of creation, she would forever be excluded.
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Introduction to "The Difficult Art of Giving Patronage, Philanthropy, and the American Literary Market"
Francesca Sawaya
The Difficult Art of Giving rethinks standard economic histories of the literary marketplace. Traditionally, American literary histories maintain that the post-Civil War period marked the transition from a system of elite patronage and genteel amateurism to what is described as the free literary market and an era of self-supporting professionalism. These histories assert that the market helped to democratize literary production and consumption, enabling writers to sustain themselves without the need for private sponsorship. By contrast, Francesca Sawaya demonstrates the continuing importance of patronage and the new significance of corporate-based philanthropy for cultural production in the United States in the postbellum and modern periods.
Focusing on Henry James, William Dean Howells, Mark Twain, Charles Chesnutt, and Theodore Dreiser, Sawaya explores the notions of a free market in cultural goods and the autonomy of the author. Building on debates in the history of the emotions, the history and sociology of philanthropy, feminist theory, and the new economic criticism, Sawaya examines these major writers' careers as well as their rich and complex representations of the economic world. Their work, she argues, demonstrates that patronage and corporate-based philanthropy helped construct the putatively free market in literature. The book thereby highlights the social and economic interventions that shape markets, challenging old and contemporary forms of free market fundamentalism.
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Terror, Vengeance and Martyrdom in the French Revolution: The Case of the Shades
Ronald Schechter
In recent years, terrorism has become closely associated with martyrdom in the minds of many terrorists and in the view of nations around the world. In Islam, martyrdom is mostly conceived as "bearing witness" to faith and God. Martyrdom is also central to the Christian tradition, not only in the form of Christ's Passion or saints faced with persecution and death, but in the duty to lead a good and charitable life. In both religions, the association of religious martyrdom with political terror has a long and difficult history. The essays of this volume illuminate this history--following, for example, Christian martyrdom from its origins in the Roman world, to the experience of the deaths of "terrorist" leaders of the French Revolution, to parallels in the contemporary world--and explore historical parallels among Islamic, Christian, and secular traditions. Featuring essays from eminent scholars in a wide range of disciplines, Martyrdom and Terrorism provides a timely comparative history of the practices and discourses of terrorism and martyrdom from antiquity to the twenty-first century.
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In Tastes, Lost and Found: Remembering the Real Flavor of Fat Pork
Brad Weiss
"Fat". In contemporary society the word never fails to elicit powerful emotions, especially as it relates to bodily health and appearance. But fat is a noun as well as an adjective and has a cultural life outside of its relationship with the human body. By focusing on the complex physical and experiential dimensions of this problematic substance, Fat: Culture and Materiality breaks new ground in the study of the relationship between culture and the material world.
With contributions from well-respected international scholars, this innovative and interdisciplinary collection will appeal to a wide range of readers interested in fat and its relationship to culture, materiality and lived experience. The volume addresses the role of fats in a variety of cultural settings. Topics include the politics of Palestinian olive oil; the allure of pig fat in heritage pork; the material sources of fat stereotypes in classical and biblical texts; the use of harvested fat in aesthetic surgery; and the status of fat in the self-narratives of anorexics. -
Dancing in Scyros: Masculinity and Young Women’s Rituals in the Achilleid
Vassiliki Panoussi
This chapter examines the representation of young women’s rituals in Statius’ Achilleid. The poem shows female ritual activity (expressed through Bacchic rites, choral dancing, and collective worship of Pallas) as bestowing the young women of Scyros with a power that appears capable of containing (or at least delaying) the manifestation of Achilles’ masculinity. The girls’ agency is indicated in three ways: the power of their beauty and sexuality to attract and potentially dominate men; their association with Amazons; and their performance of Bacchic rituals. An analysis of these narrative strategies reveals that Statius invests typical motifs associated with women with an exceptional power that renders the young women capable of posing a threat to the full articulation of masculinity.
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Furies
Vassiliki Panoussi
The Virgil Encyclopedia is the first comprehensive reference volume to be published in English on Publius Vergilius Maro, the classical Roman poet whose works and thoughts have been at the center of Western literary, cultural, artistic, and pedagogical traditions for more than two millennia. Through more than 2,200 carefully researched entries, scholars and students alike are provided with an in-depth treatment of all aspects of Virgil’s poetry and his immeasurable influence that continues to the present day.
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Furor
Vassiliki Panoussi
The Virgil Encyclopedia is the first comprehensive reference volume to be published in English on Publius Vergilius Maro, the classical Roman poet whose works and thoughts have been at the center of Western literary, cultural, artistic, and pedagogical traditions for more than two millennia. Through more than 2,200 carefully researched entries, scholars and students alike are provided with an in-depth treatment of all aspects of Virgil’s poetry and his immeasurable influence that continues to the present day.
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Greek & Roman Tragedy
Vassiliki Panoussi
The Virgil Encyclopedia is the first comprehensive reference volume to be published in English on Publius Vergilius Maro, the classical Roman poet whose works and thoughts have been at the center of Western literary, cultural, artistic, and pedagogical traditions for more than two millennia. Through more than 2,200 carefully researched entries, scholars and students alike are provided with an in-depth treatment of all aspects of Virgil’s poetry and his immeasurable influence that continues to the present day.
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Cinema of the Thaw (1953 – 1967)
Alexander V. Prokhorov
This two-volume reader is intended to accompany undergraduate courses in the history of Russian cinema and Russian culture through film. Each volume consists of newly commissioned essays, excerpts from English language criticism and translations of Russian language essays on subtitled films which are widely taught in American and British courses on Russian film and culture. The arrangement is chronological: Volume one covers twelve films from the beginning of Russian film through the Stalin era; volume two covers twenty films from the Thaw era to the present. General introductions to each period of film history (Early Russian Cinema, Soviet Silent Cinema, Stalinist Cinema, Cinema of the Thaw, Cinema of Stagnation, Perestroika and Post-Soviet Cinema) outline its cinematic significance and provide historical context for the non-specialist reader. Essays are accompanied by suggestions for further reading. The reader will be useful both for film studies specialists and for Slavists who wish to broaden their Russian Studies curriculum by incorporating film courses or culture courses with cinematic material. Volumes one and two may be ordered separately to accommodate the timeframe and contents of courses.
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Lenin’s Guard. Zastava Il’icha
Alexander V. Prokhorov
This two-volume reader is intended to accompany undergraduate courses in the history of Russian cinema and Russian culture through film. Each volume consists of newly commissioned essays, excerpts from English language criticism and translations of Russian language essays on subtitled films which are widely taught in American and British courses on Russian film and culture. The arrangement is chronological: Volume one covers twelve films from the beginning of Russian film through the Stalin era; volume two covers twenty films from the Thaw era to the present. General introductions to each period of film history (Early Russian Cinema, Soviet Silent Cinema, Stalinist Cinema, Cinema of the Thaw, Cinema of Stagnation, Perestroika and Post-Soviet Cinema) outline its cinematic significance and provide historical context for the non-specialist reader. Essays are accompanied by suggestions for further reading. The reader will be useful both for film studies specialists and for Slavists who wish to broaden their Russian Studies curriculum by incorporating film courses or culture courses with cinematic material. Volumes one and two may be ordered separately to accommodate the timeframe and contents of courses.
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Reconfiguring the War and Family Tropes in Thaw-Era Homefront Melodrama
Alexander V. Prokhorov
This two-volume reader is intended to accompany undergraduate courses in the history of Russian cinema and Russian culture through film. Each volume consists of newly commissioned essays, excerpts from English language criticism and translations of Russian language essays on subtitled films which are widely taught in American and British courses on Russian film and culture. The arrangement is chronological: Volume one covers twelve films from the beginning of Russian film through the Stalin era; volume two covers twenty films from the Thaw era to the present. General introductions to each period of film history (Early Russian Cinema, Soviet Silent Cinema, Stalinist Cinema, Cinema of the Thaw, Cinema of Stagnation, Perestroika and Post-Soviet Cinema) outline its cinematic significance and provide historical context for the non-specialist reader. Essays are accompanied by suggestions for further reading. The reader will be useful both for film studies specialists and for Slavists who wish to broaden their Russian Studies curriculum by incorporating film courses or culture courses with cinematic material. Volumes one and two may be ordered separately to accommodate the timeframe and contents of courses.
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The Diamond Arm. Brilliantovaia ruka
Alexander V. Prokhorov
This two-volume reader is intended to accompany undergraduate courses in the history of Russian cinema and Russian culture through film. Each volume consists of newly commissioned essays, excerpts from English language criticism and translations of Russian language essays on subtitled films which are widely taught in American and British courses on Russian film and culture. The arrangement is chronological: Volume one covers twelve films from the beginning of Russian film through the Stalin era; volume two covers twenty films from the Thaw era to the present. General introductions to each period of film history (Early Russian Cinema, Soviet Silent Cinema, Stalinist Cinema, Cinema of the Thaw, Cinema of Stagnation, Perestroika and Post-Soviet Cinema) outline its cinematic significance and provide historical context for the non-specialist reader. Essays are accompanied by suggestions for further reading. The reader will be useful both for film studies specialists and for Slavists who wish to broaden their Russian Studies curriculum by incorporating film courses or culture courses with cinematic material. Volumes one and two may be ordered separately to accommodate the timeframe and contents of courses.
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Racial Terror and Citizenship
Hannah Rosen
There is no denying that race is a critical issue in understanding the South. However, this concluding volume of The New Encyclopedia of Southern Culture challenges previous understandings, revealing the region's rich, ever-expanding diversity and providing new explorations of race relations. In 36 thematic and 29 topical essays, contributors examine such subjects as the Tuskegee Syphilis Study, Japanese American incarceration in the South, relations between African Americans and Native Americans, Chinese men adopting Mexican identities, Latino religious practices, and Vietnamese life in the region. Together the essays paint a nuanced portrait of how concepts of race in the South have influenced its history, art, politics, and culture beyond the familiar binary of black and white.
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The Making of a Boxer
Ronald Schechter and Liz Clarke
Inspired by the resounding success of Abina and the Important Men (OUP, 2011), Mendoza the Jew combines a graphic history with primary documentation and contextual information to explore issues of nationalism, identity, culture, and historical methodology through the life story of Daniel Mendoza. Mendoza was a poor Sephardic Jew from East London who became the boxing champion of Britain in 1789. As a Jew with limited means and a foreign-sounding name, Mendoza was an unlikely symbol of what many Britons considered to be their very own "national" sport. Whereas their adversaries across the Channel reputedly settled private quarrels by dueling with swords or pistols--leaving widows and orphans in their wake--the British (according to supporters of boxing) tended to settle their disputes with their fists.
Mendoza the Jew provides an exciting and lively alternative to conventional lessons on nationalism. Rather than studying learned treatises and political speeches, students can read a graphic history about an eighteenth-century British boxer that demonstrates how ideas and emotions regarding the "nation" permeated the practices of everyday life. Mendoza's story reveals the ambivalent attitudes of British society toward its minorities, who were allowed (sometimes grudgingly) to participate in national life by braving pain and injury in athletic contests, but whose social mobility was limited and precarious. -
Ecology of Phragmites australis and responses to tidal restoration
Randolph Chambers, Laura A. Meyerson, and Kimberly L. Dibble
Tidal Marsh Restoration provides the scientific foundation and practical guidance necessary for coastal zone stewards to initiate salt marsh tidal restoration programs. The book compiles, synthesizes, and interprets the current state of knowledge on the science and practice of salt marsh restoration, bringing together leaders across a range of disciplines in the sciences (hydrology, soils, vegetation, zoology), engineering (hydraulics, modeling), and public policy, with coastal managers who offer an abundance of practical insight and guidance on the development of programs.
The book is an essential work for managers, planners, regulators, environmental and engineering consultants, and others engaged in planning, designing, and implementing projects or programs aimed at restoring tidal flow to tide-restricted or diked salt marshes.
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Arithmetic
Lawrence Leemis
Transitioning to Calculus is a comprehensive compilation of the mathematical concepts and formulas that are required of students entering their first class in calculus. The essentials of arithmetic, algebra, geometry, analytic geometry, trigonometry, and complex variables are organized into separate chapters. The purpose of this book is to provide a succinct but comprehensive list of the topics required of students entering calculus. Over 100 figures highlight the intuitive and geometric aspects of the formulas and concepts. Each chapter ends with a series of exercises (with space provided for working out a solution) that are designed to reinforce the application of the concepts and formulas. Complete solutions to the problems are included.
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