Honors Theses from 2024
Harmony of the Spheres: a Suite for Orchestra, Evan Maly
Honors Theses from 2023
“Grant Us Wisdom, Grant Us Courage:” Theology in the Organ Music of Paul Manz, Justin Oei
Honors Theses from 2022
Sinfonietta in C Major: Music Composition and Conducting, Colin Carmody
Spectacular: A New Musical, Paul Hardin
Honors Theses from 2021
Dame Ethel Smyth and The Prison: Gender, Sexuality, and the "Bonds of Self", Mary Shannon
Honors Theses from 2019
The Feast of Saint Thomas Becket at Salisbury Cathedral: Ad Vesperas, Virginia Elizabeth Martin Tilley
Honors Theses from 2018
An Analysis of the Life and Work of Alice Fletcher and Frances Densmore, Lauren Hoak
Honors Theses from 2017
Composed in the Closet: Ingolf Dahl's A Cycle of Sonnets, Cody M. Jones
A Spectralist Approach to the Vibrations of the Universe, Kevin M. Kay
Honors Theses from 2015
Epic Nonsense: The Genesis of Me Prometheus, Emerson F. Sieverts
Honors Theses from 2013
"New Music to the Very Ears of God": Heloise the Composer, Taylor Ann Ashlock
Searching for a Voice in Bongo-land: Bongo Fleva Music and the Global Imagination in Neoliberal Tanzania, Fiona A. Balestrieri
Musically Understanding the Emotional Content of Speech, Kevin D. Deisz
The Harrowing of Hell, a Paschal Oratorio, Patrick Connor Benedict Dittamo
Dvořák and James: Pragmatism and the Music of America's Fin de Siècle, Matthew F. Reese
Honors Theses from 2011
An Experimental Analysis of the Role of Harmony in Musical Memory and the Categorization of Genre, David H. Witkowsky
Honors Theses from 2009
"Signed, Sealed, Delivered, I'm Yours": How Music and Musicians Propelled Barack Obama to the Presidency in 2008, Jacob Charron
"The Fall of the House of Usher": Making the Musical, Michael James Johnson
The Ethereal System: Ambience as a New Musical Identity, Daniel Siepmann
Honors Theses from 2008
Creating Time: Rhythmic Processes and Metrical Forming in Schoenberg's Opus 22, "Vier Orchesterlieder", Olivia Lucas
Honors Theses from 2003
Success in unity : John Corigliano's score to The red violin (1999), Michael Robert Glaser
Honors Theses from 2002
The festival of world sacred music : recontextualizing religious ritual on the secular stage, Deborah Justice
Honors Theses from 2001
The "grandness" of light opera : Giuseppe's [sic] Verdi's influence on Gilbert and Sullivan's The pirates of Penzance, Leonidas F. Lagrimas
