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Honors Theses from 2024

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Harmony of the Spheres: a Suite for Orchestra, Evan Maly

Honors Theses from 2023

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“Grant Us Wisdom, Grant Us Courage:” Theology in the Organ Music of Paul Manz, Justin Oei

Honors Theses from 2022

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Sinfonietta in C Major: Music Composition and Conducting, Colin Carmody

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Spectacular: A New Musical, Paul Hardin

Honors Theses from 2021

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Dame Ethel Smyth and The Prison: Gender, Sexuality, and the "Bonds of Self", Mary Shannon

Honors Theses from 2019

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The Feast of Saint Thomas Becket at Salisbury Cathedral: Ad Vesperas, Virginia Elizabeth Martin Tilley

Honors Theses from 2018

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An Analysis of the Life and Work of Alice Fletcher and Frances Densmore, Lauren Hoak

Honors Theses from 2017

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Composed in the Closet: Ingolf Dahl's A Cycle of Sonnets, Cody M. Jones

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A Spectralist Approach to the Vibrations of the Universe, Kevin M. Kay

Honors Theses from 2015

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Epic Nonsense: The Genesis of Me Prometheus, Emerson F. Sieverts

Honors Theses from 2013

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"New Music to the Very Ears of God": Heloise the Composer, Taylor Ann Ashlock

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Searching for a Voice in Bongo-land: Bongo Fleva Music and the Global Imagination in Neoliberal Tanzania, Fiona A. Balestrieri

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Musically Understanding the Emotional Content of Speech, Kevin D. Deisz

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The Harrowing of Hell, a Paschal Oratorio, Patrick Connor Benedict Dittamo

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Dvořák and James: Pragmatism and the Music of America's Fin de Siècle, Matthew F. Reese

Honors Theses from 2011

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An Experimental Analysis of the Role of Harmony in Musical Memory and the Categorization of Genre, David H. Witkowsky

Honors Theses from 2009

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"Signed, Sealed, Delivered, I'm Yours": How Music and Musicians Propelled Barack Obama to the Presidency in 2008, Jacob Charron

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"The Fall of the House of Usher": Making the Musical, Michael James Johnson

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The Ethereal System: Ambience as a New Musical Identity, Daniel Siepmann

Honors Theses from 2008

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Creating Time: Rhythmic Processes and Metrical Forming in Schoenberg's Opus 22, "Vier Orchesterlieder", Olivia Lucas

Honors Theses from 2003

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Success in unity : John Corigliano's score to The red violin (1999), Michael Robert Glaser

Honors Theses from 2002

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The festival of world sacred music : recontextualizing religious ritual on the secular stage, Deborah Justice

Honors Theses from 2001

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The "grandness" of light opera : Giuseppe's [sic] Verdi's influence on Gilbert and Sullivan's The pirates of Penzance, Leonidas F. Lagrimas