Honors Theses from 2024
“When making a left turn, you must downshift while going forward:” Reading, Analyzing & Staging of Paula Vogel’s How I Learned to Drive as a Senior Directorial, Cecilia Rose Funk
Honors Theses from 2021
On Developing Psych Ward: A Play Representing Mental Illnesses and Personality Disorders, Abeer Hisham Ayyoub
My Voice, My Power: Finding Agency in the Creation of New Dramatic Work, Zoë Bowen Smith
Honors Theses from 2020
Lighting Design Analysis of She Kills Monsters, Christian Crabbs
Honors Theses from 2018
The Creation of Original Cymbeline Companion Piece Lady Tongue for Professional Submission: Increasing Opportunity for Women in the Classical Theatre Sphere, Sarah Marksteiner
Honors Theses from 2017
Feminist Theatre: A Practical Application, Rosalynd I. Duerr
Honors Theses from 2015
Taming of Monsters: The Postdramatic Case for Copenhagen, Shaan Y. Sharma
Ecology and Theatre: Teaching Environmental Stewardship Through Performances of The Jungle Book, Stephanie A. Vinsavich
Honors Theses from 2014
Designing with Gendered Space: Incorporating Gender into the Scenic Design of Clybourne Park, Joshua Blum
Bard in the Gondola, Barred in the Ghetto: Operatic Adaptations of Shakespearean Text and Italian Identity in the Late Nineteenth Century, Anne M. Kehrli
Re-staging Rivera's Marisol: Identities, Projections, and New Mythologies, Kevin Place
"The Embrace is Inevitable": Connection and Audience Engagement in Tennessee Williams' The Two-Character Play, Kelsey C. Schneider
'What Light. What Possibilities. What Hope." Revolutionary Millennialism in José Rivera's Marisol, Rebecca A K Turner
Honors Theses from 2013
Silencing the Black Body; A Look at Non-Traditional Casting in a Liberal Arts Education, Nathan L. Alston
To Arrive and Conquer: An Individual's Rite of Passage through Recognition of Ritual on Stage, Jamar C. E. Jones
'The Winter's Tale:' Liminality and Communitas in Analysis and Performance, Benjamin Lauer
The Effect of Masked Performance Techniques on the Perception of Identity, Nicholas Martin
Honors Theses from 2012
How to Incite Audiences and Engage Actors: Environmental Theatre and the Second Circle, Larissa Anne Kruesi
Honors Theses from 2011
The "Opposite of People": Theatrical Doubling and Rosencrantz and Guildenstern are Dead, Megan Behm
Honors Theses from 2010
Little Shop of Horrors Comparative Lighting Designs Through Stage Directions, David Adams Moody
Honors Theses from 2009
Making Connections: Science and Theatre in Complicites Mnemonic, Stephen Cole
Going with the Flow: Identifying a Single Commonality in Written and Performed Acting Theory, Katharine A. Schellman
