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Honors Theses from 2024

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“When making a left turn, you must downshift while going forward:” Reading, Analyzing & Staging of Paula Vogel’s How I Learned to Drive as a Senior Directorial, Cecilia Rose Funk

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“No Iphis can I be” Exploring Lesbianism and Gender Fluidity Through Adaptation/Fanfiction of Twelfth Night in One and the Same, an Original Play, Ella Jo Nguyen

Honors Theses from 2021

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On Developing Psych Ward: A Play Representing Mental Illnesses and Personality Disorders, Abeer Hisham Ayyoub

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My Voice, My Power: Finding Agency in the Creation of New Dramatic Work, Zoë Bowen Smith

Honors Theses from 2020

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Lighting Design Analysis of She Kills Monsters, Christian Crabbs

Honors Theses from 2018

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The Creation of Original Cymbeline Companion Piece Lady Tongue for Professional Submission: Increasing Opportunity for Women in the Classical Theatre Sphere, Sarah Marksteiner

Honors Theses from 2017

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Feminist Theatre: A Practical Application, Rosalynd I. Duerr

Honors Theses from 2015

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Taming of Monsters: The Postdramatic Case for Copenhagen, Shaan Y. Sharma

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Ecology and Theatre: Teaching Environmental Stewardship Through Performances of The Jungle Book, Stephanie A. Vinsavich

Honors Theses from 2014

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Designing with Gendered Space: Incorporating Gender into the Scenic Design of Clybourne Park, Joshua Blum

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Bard in the Gondola, Barred in the Ghetto: Operatic Adaptations of Shakespearean Text and Italian Identity in the Late Nineteenth Century, Anne M. Kehrli

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Re-staging Rivera's Marisol: Identities, Projections, and New Mythologies, Kevin Place

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"The Embrace is Inevitable": Connection and Audience Engagement in Tennessee Williams' The Two-Character Play, Kelsey C. Schneider

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'What Light. What Possibilities. What Hope." Revolutionary Millennialism in José Rivera's Marisol, Rebecca A K Turner

Honors Theses from 2013

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Silencing the Black Body; A Look at Non-Traditional Casting in a Liberal Arts Education, Nathan L. Alston

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To Arrive and Conquer: An Individual's Rite of Passage through Recognition of Ritual on Stage, Jamar C. E. Jones

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'The Winter's Tale:' Liminality and Communitas in Analysis and Performance, Benjamin Lauer

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The Effect of Masked Performance Techniques on the Perception of Identity, Nicholas Martin

Honors Theses from 2012

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How to Incite Audiences and Engage Actors: Environmental Theatre and the Second Circle, Larissa Anne Kruesi

Honors Theses from 2011

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The "Opposite of People": Theatrical Doubling and Rosencrantz and Guildenstern are Dead, Megan Behm

Honors Theses from 2010

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Little Shop of Horrors Comparative Lighting Designs Through Stage Directions, David Adams Moody

Honors Theses from 2009

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Making Connections: Science and Theatre in Complicites Mnemonic, Stephen Cole

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Going with the Flow: Identifying a Single Commonality in Written and Performed Acting Theory, Katharine A. Schellman